I Haven’t Platonicposted In A While

My favourite goth guy who steals rubbish bins

cop pulls me over little does he know my drivers license is written in elf hieroglyphics & blinds anyone who reads it

On Anakin vs Barriss Offee: I love that it gets Anakin dual-wielding again. He should have done it all the time, it looks so cool with him

SO TRUE actually having a second lightsaber to match his padawan would fix him

(commission info // tip jar!)

"Do you ever dream of land?" The whale asks the tuna.

"No." Says the tuna, "Do you?"

"I have never seen it." Says the whale, "but deep in my body, I remember it."

"Why do you care," says the tuna, "if you will never see it."

"There are bones in my body built to walk through the forests and the mountains." Says the whale.

"They will disappear." Says the tuna, "one day, your body will forget the forests and the mountains."

"Maybe I don't want to forget," Says the whale, "The forests were once my home."

"I have seen the forests." Whispers the salmon, almost to itself.

"Tell me what you have seen," says the whale.

"The forests spawned me." Says the salmon. "They sent me to the ocean to grow. When I am fat with the bounty of the ocean, I will bring it home."

"Why would the forests seek the bounty of the oceans?" Asks the whale. "They have bounty of their own."

"You forget," says the salmon, "That the oceans were once their home."

Hi April!

I have some of questions about the public-facing transcripts of Magnus Protocol.

They have a very “shooting script” vibe. Are these the same as what’s given to the cast, a very close derivative, or something else?

If they aren’t what’s given to the cast, when in the process do they get made?

A weird copyediting question: What drove the change from the monospaced font (I think Courier New) to the bolder sans serif font? And is there a reason the headers and footers are the old style?

An esoteric “my masters is in rhetoric” question: The scripts contain quite a bit of content that isn’t in the audio. In the other hand, I hear that The Magnus Protocol is a podcast. Are you able to talk about your personal opinion on their relationship to the text? I’m not asking for an answer on authorial intent or the “on high” answer, but I’m curious how various people involved in making Protocol think of them. (As an example, I’ve been thinking of them, to go back to the as “apocrypha”; I think of them as true, but also not as part of the text, if that makes sense. More like annotations or marginalia.)

Anyway, welcome to the public Tumblr stuff! It’s cool to have you here.

Oooooh very happy to answer this, mostly because I think it’s a neat example of how we work as a team.

The short answer is yes the transcripts are derivative of the shooting scripts but they aren’t the same.

Alex and Cathy are both very sensitive audiophiles who have worked together to make those layers and layers of interesting audio bits some people catch but others don’t (the lie glitches are an example as well as the whispers in episode 10) Conversely, I have mild progressive hearing loss and handle the transcription.

As I am also the producer, I know all of the plot points, beats, and important bits that need to be communicated for the story to work. I use the shooting script as a guide and listen to the final release audio along with the shooting script and make edits as I go. Sometimes different takes are used, sometimes audio cues change etc. I also try to obfuscate information that’s not yet revealed in the timeline.

I will admit I don’t catch everything, and definitely make mistakes, but ideally the transcripts are designed in such a way as to make sure people who may not be as keyed in to the highly detailed audio execution can get a similar experience by reading the transcript. I have such respect for Cathy for the work she puts in artistically, we want to make sure people know what they’re hearing.

Our audio team are exceptional in such a way that they are constantly trying to balance creative narrative with accessibility. You can get all of the information in the audio, but we recognize that’s difficult and we are often people’s first experience in audio drama, so we balance it with the extra information in the transcripts.

The layout and design of the transcript was influenced by external guidance for the visually impaired who recommend 14 point bold Ariel as the most readable. We also release Word versions so people can use dark mode or adjust font size and style if needed. Accessibility is different for everyone, we do our best to make sure we have options available.

—

For amusing behind the scenes mistakes I know I have made:

People may have remembered the old pilot had ‘Norris’ labeled as ‘Martin’ this was because we changed Norris’s name so many times I didn’t know what to call him and accidentally forgot to change the Martin placeholder. 😬

So yea. I’m not perfect and nor are the transcripts but we try our best.

quick tiger-sphinx creature drawings

I first started writing this story for a friend way back in 2014, at which point it was just a couple thousand words long (and not very good, in all honesty, but I forgive myself). After a dozen revisions and rewrites down the years I finally finished working on it in late 2022. Somewhere along the way it grew to be about 220k words, and it remains to date the largest piece of fiction I've ever completed.

It was always my dearest ambition to try and bind it by hand as a gift, but, you know, time passes. Unfortunately my friend and I fell out of touch around COVID but the characters (a mixture of hers and my own) are still very dear to me and I wanted to make a physical copy to commentate the special place they will always occupy in my heart.

I was aiming for a look similar to Everyman's Library / the style of some 19th century half bindings and I'm pretty happy with the result. Used rather a lot of open source woodcut illustrations for the chapter headers and the title page, and the whole thing is bound in red leather and some 19th century reproduction marble papers.

731 pages and typeset in 10.5pt Crimson Roman

To Snow, Lucy Gray is forever the same 16-year-old girl who ~betrayed~ him, and she haunts him accordingly. But Lenore Dove ages and grows gray alongside Haymitch, like she’s walking next to him through the years instead of lying in her grave. If you even care.

today's warm up: The sky is so blue today and I want to fall into it but you know, be careful what you wish for

🌕🌑

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