What's the process if you're a superhero and you come out as trans
Do you tell your villains?
Do you keep it a secret so no one can connect Spider-Man with your secret identity for a while? Or do you pop a pronouns pin on your costume and the next time you web up Doctor Octopus and he goes "I'LL GET YOU NEXT TIME SPIDER-MAN" you go "Spider-Girl actually! I've been figuring out some shit"
"curiosity"
(quick art with both of them set in some kind of whimsy fantasy setting)
Been a really long time since I've watched Daredevil but I do remember coming away from it feeling like it presented a pretty compelling internally-consistent moral justification for the vigilante thing. You're not planet-crackingly powerful, it's just that you can hear, in detail, every awful thing your neighbors are doing to each other, every night that they're doing it. You can't not know and you can't pretend not to know and when the kid tells you the next day that he just fell down the stairs you can't fall back on the provided ambiguity to absolve yourself of your responsibility to act. Semi-relatedly, you're really really good at martial arts. Start the clock
The doubling of tribute numbers. The miscarried Abernathy twins. The Donner sisters who Haymitch carries a fascination for as consequence. Louella being replaced by Lou Lou, a name that only mimics the first half of her name, and a girl who matches her in appearance only. The Appalachia legends of mimics. Tam Amber’s set of pins, one dropped down a well, the other discarded. The two versions of the games: the one that Haymitch remembers and the edited, falsified version of them without the real content. The two bags of gumdrops. The fraternal affection he feels for Louella and Lou Lou, the artificial twins, and Maysilee’s offer to be his sister—the second one she gives in the book. A bond with a real twin, both pairs healing the sisters he never did know. The split between what is natural and what is manufactured or forged, bonds that that grow on their own, or are forced into existance. And if the distinction makes any difference to the person it impacts.
I don't know if anyone's mentioned this yet but... Jace, while still alive, is probably going to jail, which leaves Aguefort without a Sorcery teacher for next September.
Do you know who: 1. just came to town, 2. is staying for at least a year, 3. seemingly has innate spellcasting, and 4. has actual experience taking care of and stewarding teenagers?
Picture it: First day of Senior Year, Gorgug Thistlespring walks through the halls, a rockstar drummer, pioneer of the Barbificer multiclass, and four time savior of the world. He's feeling great, this is gonna be a good year. Then he turns a corner and sees him.
There he is, in all of his High Elven glory, trying desperately to wrap his head around to whom his new students are referring to when mentioning this "chat" person. Professor Telemaine Lomenelda, Aguefort’s newest Sorcery teacher.
I got my magnus archives dice set a few weeks ago and have been endlessly pondering some of the symbols on the big fears die. I heard that you were the one who designed the symbols, could we perhaps get a walkthrough of which symbols represent which fears? Just for some clarification :D
Oh fun! Happy to share.
So, I had to do these symbols in a way that was large and bold enough to be on a die, but distinct enough to identify. This sheet shows what’s what:
The above image has 3 columns and 5 rows with icons for the 15 fears. (Some are more thoughtful than others)
Row 1 - in the upper left is Extinction, shown as a robotic hand with a radioactive symbol on the palm. This is inspired by a combination of human and technology creating toxicity around them. To the right of Extinction is Stranger, shown as offset theater masks for the duplicity and carnival-vibe. In the upper right is the Web shown as a cobweb.
Row 2 - left is the End, shown a la a skull with a triangle cleaved in the center. I originally wanted to do something with tendrils out of it but it wasn’t clear enough to render right. The triangle is an artistic render of the death hazard. To the right of the End is the Vast shown as a triangle with a lighting bolt. This one was a little difficult as I wasn’t sure how to express Vast in a small space. So the lighting is supposed to evoke a dangerous sky, in a V made to form a triangle. Right on row 2 is the Spiral, shown as.. well, a spiral.
Row 3 - left is Desolation, a small flame engulfed in a larger flame, spreading. To its right is the Hunt which I originally had as a crosshairs target but Alex suggested going more primal, so we settled on teeth (I’m pretty happy with them) right on row 3 is the lonely, shown as a lighthouse.
Row 4 - left is the Dark with the classic closed eye in a filled circle. To the right of the Dark is the Corruption which is weirdly my favorite. It’s a bee but with a head with several growths. It’s a bit more abstract I guess but I was thinking of The Last of Us and the fungal zombification . The growths on the head are meant to be reaching out continuously in the hive mind. The right on row 4 is the buried, the shape inside is supposed to evoke closing in and down, collapsing
Row 5 - right is the slaughter, with a knife on a drum. I don’t know if I have to explain that. I wanted to do two knife drumsticks but they wouldn’t render on dice well. Center bottom is the Flesh shown as an anatomical heart with veins around it. This was another on I didn’t know what to do with at first and just drew a steak lol then Alex suggested a heart and it just made more sense. I think of it as the duality of Flesh as a visceral fear, but also an emotional one. The bottom right is an eye! Because… eyes.
There is also a rendered version of the web cassette on the set (not pictured)
I hope that helps and is interesting! And if you want a Magnus Dice set with the 15 fears I designed, check it out here: https://thedicedungeon.co.uk/products/themagnusarchives
I can't believe that Gertrude tells Gerry that part of the reason death would be better than living in a post-ritual world is because the fears could keep them alive and afraid forever, denying them the escape of death....Only to keep Gerry alive and afraid by binding him to a book and denying him the escape of death.
Oh Gertrude Robinson. There has never been a character as morally complicated.
brb, running off to sea to seek my fortune! My crafts/art/miscellaneous hobbies are on my side blog, chlodobird-creations
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