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Dsmp Philza - Blog Posts

3 years ago

Techno: Ranboo.

Ranboo: Yeah?

Techno, gesturing at his chest: Explain.. that.

Ranboo, looking down at Tommy who's wrapped around him like a koala: Oh! He just does this sometimes.

Phil: . . . What mate?

Ranboo, smiling: Yeah! I think he may be asleep though, so could you guys try to be quiet?

Phil, whispering: What the fuck.


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3 years ago

Charlie, setting down a card: Ace of spades.

Wilbur, pulling out an UNO card: +4

Charlie, slamming a Pokemon card down on the table: JOLTEON I CHOOSE YOU!!

Philza: W- What the actual fuck are you playing??


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snow-that-is-in-colour-red - The writer's bastard
snow-that-is-in-colour-red - The writer's bastard

Maybe I'm also sad that Phil's love never counts as something worth living for


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Wilbur shook his head, “I’ve never lied to you.”

(...)

Wilbur lifted his mask

“If I truly believed it was the truth, does that make me a liar?”

(...)

“That’s the difference between me and Schlatt. That’s the difference between me and Phil. That’s the difference between me and Quackity.” The sparks had stopped flying so it was impossible to make out Wilbur’s facial expressions as he spoke. “I have never lied to you. I have been wrong but never lied to you, Tommy. I won’t lie to you. Do you trust me, Tommy? ‘Cos right now I feel like you don’t trust me.”

(Excerpt from Hitting on 16 by Wilbur Soot)

So, in this line, Wilbur references Schlatt and Quackity as purposeful liars while saying that in his Pogtopia mindset he wasn't lying because he truly believed what he was saying would come true, thus differentiating them, and it's pretty obvious that he's referring to stuff both of them (Schlatt and Quackity) did and said during the Manburg administration (which he still has a lot of resentment for).

However, he also mentions Phil, and I haven't seen anyone yet say where exactly Phil's lie that Wilbur references is. Well, I think I got it:

VOD: Healthy competition, 25th July, 8:03

Wilbur: Not many people do. I mean, Phil, you don’t seem afraid of me, you’re not afraid of me, are you, Phil?

Phil: No, not at all

Wilbur: Good. Good, ‘cause I’m not afraid of you

I think this is where Wilbur is convinced that Phil lied.

He says that "Good. Good, 'cause I'm not afraid of you" only after a pause, in what I can only describe as a slightly distrustful tone. "Not showing his true colours" with that response one could say:

“I think, I think you might be a bit braver than me, in showing your true colours. I feel like with you, Ranboo, I never have to be guessing your next move, I never have to be guessing your hand, you know? I feel like life dealt us the same cards, and the difference is that you build your trust by showing people your cards, while I keep them close to my chest. And I feel like that might be the big difference.” - (Wilbur’s Healthy Competition: 41:22, 25th July)

And this is also supported by the very explicit way in which later on the same stream he says:

“Can I be real with you, man? I think I scare people.” - (Wilbur’s Healthy Competition: 36:30, 25th July)

He’s convinced that people are afraid of him, that his social limbo is ever-reaching and that everyone looks at him like they did in Pogtopia, that they see him as crazy and scary, thus, he’d see that Phil just lied to him there

“I mean, like I, I, I, I don’t think I, I- I think a lot of people share your idea, but they share your idea in trying to- trying to keep me from hurting them, you know? Like they’ve seen what I can do, and they don’t want me to do it again, so they adopt your emotion in order to do it.” - (Wilbur’s Healthy Competition: 36:46, 25th July)

“I’m living in eternal limbo, again. I’ve been through limbo, I’m out of limbo, and socially, I’m still in this limbo.” - (Wilbur’s Healthy Competition: 38:36, 25th July)

“And, man, Ranboo, hearing you say those words that you said to me. Do you remember what you said? You said, 'I think people can change’, that was number one. And number two, you said you’re scared if people don’t like you.” - (Wilbur’s Healthy Competition: 38:45, 25th July)

“Okay. Tubbo, I’ve literally- I was dead for thirteen years. I know it wasn’t long for you, I know it was only a couple months for you, but, thirteen years, Tubbo. Thirteen years of my life. I aged! Look at me, I’m not the same young man you knew!” - (Wilbur’s A Year Later: 20:52, 3rd Aug)

“I relived that explosion in my head so many times man. And, and, and I- I get that you don’t, you don’t trust me, I do, but like, man, look at me, bro, I’m not gonna do it again. I’m not gonna- I’m not gonna hurt you again.” - (Wilbur’s A Year Later: 21:21, 3rd Aug)

As cc!Wilbur mentioned in that one reddit post (it's in the replies): Quackity makes him feel human, while "everybody's trying to get on his god side out of fear", he remarks Quackity as "Someone who looks at him, not as "insane" not as "evil" or a "freak" but rather just unpredictable. Human. This is exciting for Revivedbur. He feels human again."

Wilbur Shook His Head, “I’ve Never Lied To You.”

Quackity and Ranboo are the two he feels look at him as a person, not as just "that crazy man from Pogtopia", that's why he opens up so completely to Ranboo, it's why he remarks this:

“I feel alive, Ranboo, I feel alive. Someone’s looking at me and talking to me! I’m alive, I’m alive! This is great.” - (Wilbur’s Unhealthy Competition: 27:22, 4th Aug)

Phil however, enters in the larger camp of "looks at me with fear" (as well as the camp to use him as a scapegoat after his death), he's in the larger group of people Wilbur feels the need to appeaase by having more obvious comeuppance:

“Dream is- He’s had his comeuppance, and I have not! My comeuppance was apparently not good enough for this people. They’re just waiting, they’re waiting for the next thing for me to slip up on, and, Ranboo, I’m not gonna fucking slip up, Ranboo. I’m different.” - (Wilbur’s Healthy Competition: 38:07, 25th July)

This also is a lie that Wilbur would care about, because I've seen others mention how Phil lied about Fried having infinite lives, which was in reality a "replace the goldfish" situation and how Phil also lied about not killing him no matter what he did or said in november 16th. However, Wilbur wouldn't care much for either of those instances, as he saw him dying on the 16th as something good and didn't pay much attention to Friend.

But his father apparently lying to him about no being scared of him? About not looking at him like crazy and hopeless just as everyone else when he's especially struggling with feeling like he can't count on anyone on account of his social limbo? Yeah, that one would affect him alright.


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Thinking of the voices screaming for Phil when they knew Techno was in danger and with no way to defend himself. Not “Blood for the blood god” or anything among those lines, no calls for violence or self defense, just “PHIL” over and over again.

Thinking of what it means lorewise.


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catharsis

Will is a little nervous, coming in this room. Again. It’s always a different mix of emotions, but some key ingredients are the same: thrill, anticipation, sadness. This time the cocktail is a true masterpiece: thrill, anticipation, conviction, confidence, only a drop of sadness. The only really new ingredient in all of this is fear, and it kind of ties it all together, adds the needed spice to the mix. Will lingers for a bit, analyzing the taste of the imaginary cocktail. There’s something else. Just… a dash of uncertainty. It’s not about the act, but it’s in the air, ruining his experience. What a shame.

“Will. What are you doing?”

Phil’s voice sounds so, so familiar. Maybe decades ago he said this exact phrase in this exact tone, when Will was stealing something from the kitchen. Weird how some things don’t change. 

Will is glad to hear his voice. It means that it all goes according to plan. It means that he won’t leave this room. The uncertainty is gone. 

Will is deafened by the sound of the explosion, his breath is heavy and uneven, partially because of excitement, partially because the air is filled with dust, but right there, right then, he has a moment of absolute clarity. It all makes sense to him, all of his questions have answers, he comes up with a name for his cocktail — “catharsis”. It has a wonderful sweet aftertaste of satisfaction. 

There’s only one more thing to do. Will has done it a thousand times before, especially when Phil would catch him doing something he “shouldn’t be doing”. Ask nicely. Phil is surprisingly bad at saying “no”.

Weird how some things don’t change.


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Do you think soldiers of L'manburg still remember Tommy as this war hero and meet at a bar and go:

"Yo I saw the general and I heard he came back to life and also killed that Green Guy two times and is good friends with the riches people of the server and the Angel of Death"

"I saw him being under the protection of a machine the warden created"

"Holy shit I heard he has a pet spider!"

"A big one?"

"MASSIVE DUDE!"

Tommy "i am so traumatised my therapist has trauma" innit but all the Slodiers only see their General that won L'manburg its freedom and are in awe of everything he does

"I heard he committed to peace now. Refusing to use the most dangerous weapons and only using low quality ones"

"And he STILL kills mobs easily!"

"I heard he is childhood friends with a powerful demon..."

"Isn't the murderous fairy of the woods also fond of him?"

"Damn."

"I saw the Angel of Death promising his aid to him..."

"You mean the guy that blew our nation up?" "Yeah"

"Mf our General is a madman! (Affectionately)"

They end up exchanging stories about how kind and badass Tommy is

Soldier 1: "He offered me some carrots when I passed by"

Soldier 2: "I heard he isn't that well of rn tho..."

Solider 1, starts crying: "He shared despite not having much himself??!!"


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tw // blood

    There is a quiet, fleeting, moment, when the blade sinks itself into his ribcage and just below his heart, where the world whites out at the edges. He feels his lungs rattle in his chest, feels the metallic taste of blood well up from the back of his throat. He feels Phil’s shaking hands, tremors running down the metal and into his spine and his throat and the lips he so lightly twists into a smile. 

    “Hey, Phil.” Wilbur says, feeling his father slip further down, head bowed in grief. “It’s cold.”

    Phil keens low and quiet into his chest, singed wings draping over Wilbur, trying their best to block out the cold he knows comes from somewhere within him. He appreciates the gesture nonetheless. 

    He hears fireworks in the distance, and sees blue and red through the feathers. L’manburg colors. He silently thanks his brother for the last reminder of his symphony, his unfinished verse. He wonders if his death will be a finishing bar, or perhaps a catalyst for a new measure. He wonders if Tommy knows that the mantle has been passed, and that he’s sorry for the weight that ties a noose around his younger brother’s neck. It wasn’t supposed to be like this, he wants to plead, you’re not supposed to carry the weight of my failures on your shoulders. He hopes Tommy runs away, that he leaves this unfinished song and go write for himself a new one, a happier one. 

    “Are you proud of me?” Wilbur finds himself whispering, half hoping Phil doesn’t hear, and finding himself feeling too tired to care. He supposes death did that to a person. Leaves them tired and cold and strangely light. Phil’s hands don’t stop shaking, and red paints his palms and fingers and the hem of his cloak. Wilbur huffs a laugh at his father’s silence.

    “You don’t have to answer that, I think I know what you’re gonna say anyway.” Wilbur says, swallowing back a lungful of blood and air, bringing a hand up to card through the man’s blond hair. Phil shudders. “I wouldn’t be proud of me either.”

    Phil lets out a broken sound at this, and somewhere in Wil’s bleeding chest, he feels a twinge of shame. 

    “Forget about me, Phil.” Wilbur says into the air, feeling sweat and blood and tears drip down his chin. It stains the tips of Phil’s hair. “It’ll be easier that way, I think.”

    Phil brings a hand up to clutch at Wilbur’s arm, head still burrowed in his fast reddening shirt, and Wilbur stifles a gasp at where the movement jars his wound. The elder’s breathing is shallow, he opens and closes his mouth, words caught in his throat, like he’s choking on them.

    “Don’t cry, Phil.” Wilbur hums, voice thready and thin in the ash filled air, “I don’t want that to be the last thing I hear.”

    Phil sobs, and his back shakes with the weight of his grief and his loss. It must be agonizing, Wilbur thinks, to mourn your son while he still speaks. Then again, that won’t last for much longer.

    Wilbur strokes his father’s head, though his fading strength only allows him to curl his fingers, helpless as it falls wayside to the ground. 

    “You’ll be fine, dad.” Wilbur whispers, “You did the right thing. You got rid of the big bad, like the hero in the stories you used to tell.”

    Phil wails harder, and Wilbur thinks that maybe being a hero isn’t as appealing when it causes good men to cry. 

    “I’m tired.” He sighs, feeling his eyes slip shut, “I’ve been awake too long.”

    Phil reaches out with trembling fingers, bloodstained palms cradling his cheek.

    “I l-love yo u.” He chokes, the words broken and jilted, like a song through a broken speaker. 

    Wilbur feels his smile slip a bit, and bites back a strangled laugh, because Phil doesn’t deserve this, doesn’t deserve to have to paint the floor red with his own son’s blood. Another tally on his faults, he thinks, another red name for his ledger of wrongdoings. Even on his dying breath, he hurts the people he loves. 

    “I love you too.” He says, instead, because he refuses to leave without letting his father know that he loves him. That whatever happens, whatever consequences he’s left blazing at his wake, Wilbur soot does not hate his father.  That this isn’t some sort of cruel punishment or last hurrah. He thinks that maybe he just wants to be held, and that sleep comes so much easier when he’s safe in the arms of his childhood hero and protector. “I love you so much.”

     The static in his head grow louder, and he feels his heart give a shudder, and a beat, and the dark encroaches quickly, and through the gauze he hears a broken scream. Then, nothing.


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thinking about c!phil. c!phil & techno & how they are soldiers who breathe violence -- how that impacts phil's parenting.

thinking about how they canonically fought together as the antarctic empire. thinking about phil & techno as fellow soldiers, both emotionally stunted, & how they found solace in knowing the other is absolutely loyal. an bloodforged unspoken trust deeper than any verbal oath they could've made. thinking about how often they might have pushed through pain & left it festering & unaddressed bc it was all they knew: don't talk about it. carry on & deal with trauma only when it crops up. it's probably the way both of them deal with it best, but that's not... mentally sustainable.

thinking about how c!phil consistently resorts to violence to solve the big problems (wilbur, l'manberg). thinking about how he can't address ~emotions~ for squat. thinking about how c!techno does the same things.

thinking about the probable lessons they learned from war. the ends justify the means. violence is the only language that people respect. pay an insult back a hundredfold to establish your strength; people will back off. trauma is weakness & people will take advantage of it. keep your true feelings & loyalties close to your chest & continually reevaluate the situation. alliances could fall apart any moment, any situation could be a trap, so paranoia is survival. if you need to, make the hard choice & live with it. blunt the emotional pain by bottling up/dulling your emotions--whatever works. (I'm not super familiar with SMP Earth, so please add some examples if you are!)

thinking about how all of this really doesn't translate well to parenting.

but if that's all c!phil knows, we can't expect him to do it differently.


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1 year ago

I little idea that I had while talking to a friend

Sooo in the QSMP canon there's Missasinfonia, a person that the fandom theorizes is the son of the Catrina, also known as the Aztec goddess of death.

So Missa is a musician, and also is prone to non violence, and what person in the SBI is prone to not be violent at first and also is a musician? Wilbur Soot. So I had this thought, what if Wilbur Soot was the son of Missa? Like Wilbur was a gift that Catrina gave to Missa.

So Wilbur lived his early childhood with Missa, but then he got lost in the Hypixel and had an accident that gave him amnesia. He lived in Hypixel as a child for some days, until he met Philza Minecraft, the angel of death, and he got adopted.

Wilbur discovers this in the last bit of the DSMP, when he begins to regain some memories of his early childhood and begins to question himself as part of the SBI family, so he asks Phil about it and then he's a little nervous and starts giving him some clues about his real family.


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3 months ago
EVEN MORE ART! I KNOW Crazy But For Some Reason , Randomly My Ipad Decides That In Photos My 25 Photos

EVEN MORE ART! I KNOW crazy but for some reason , randomly my ipad decides that in photos my 25 photos , yeah that 11 GB why? No reason , why not. So yeah enjoy the art


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