Your gateway to endless inspiration
Here are mine(in no particular order):
On My Own: Although I’ve haven’t experienced romantic love yet, I adore this song! It’s well orchestrated and sung by Frances Ruffelle, her voice is beautiful.
The Wizard & I: I can relate to Elphaba’s wish to be accepted since I felt that way too. Idina Menzel’s sings amazingly and gets into character so well. I also saw this song performed live and the way it’s done on stage made me like this song more.
Satisfied: Love the blending of rapping and regular singing in this song. It works so well! Renée Elise Goldsberry nails it and made me see Angelica in a different, but good way.
Breathe: I haven’t heard the whole soundtrack yet, but “Breathe” is such a standout to me so far. Again, I relate to Nina’s fear of disappointing her family(I feel that way 24/7). Mandy Gonzalez sings very well and her high notes are delightful to hear. As an Hispanic, I really enjoyed the addition of Spanish.
I Don’t Need Your Love: Izuka Hoyle nails the vulnerability of Catherine Parr’s sad story of losing her love, and her growing confidence in herself later on. The latter part of the song makes me feel so powerful. All the women singing together by the end was so good! Their voices blended so well together.
sorcery study session of sorts
Way back in 2018, I saved the lyrics “Can't I make you understand? You're having delusions of grandeur,” from Defying Gravity, Wicked, in a Google Doc of all my favorite quotes. However, upon rewatching all the Star Wars movies this year, I realized that I might not be the first person to like the line... looking at you Stephen Schwartz
i feel like elphaba's magic and/or the grimmerie is the whole trend of having superpowers but with a catch
elphaba: please let fiyero live and not feel any pain
grimmerie: yk what else that never feel any pain? SCARECROW! boom ur bf is a scarecrow now
elphaba: wait what
or another case
elphaba: oh please let boq not die even though his heart is already shrunken
grimmerie: yk what else doesn't have a heart? A TIN CAN!!
elphaba: no not again
Watched Wicked today, it was pretty good. Pic unrelated.
Do the gale force soldiers witness Fiyero’s transformation? Or do they leave him tied up and come back for Torture part 2: For Bad in the morning/after a coffee break then panic because
a. someone’s obviously used the clothes of their mostly dead ex-captain to make a creepy scarecrow decoy, suggesting the real Fiyero has miraculously escaped in his underwear,
b. they believe they’ve forgotten where they put him, because there are so many other scarecrows (a frankly ridiculous amount!) already in that cornfield, Fiyero’s body blends right in and it takes all day to check them all and come up unnervingly empty. (Oops! All scarecrows!) Prompting the soldiers to check them all again and again “How could you forget?” “Why did you have to tie a sack over his very recognisable face?” “You told me to?!” “Stop gaslighting me!” Etc
c. free space
d. they did see the transformation and it terrified them so much they scarpered to the nearest pub and drank to forget
a.a. they assume Elphaba has taken their dead guy, wholesale, “What do you even do with a dead prince?” “Bury him I guess,” “Use his bones for evil spells,” “I would put the dead prince in an ornately crafted glass coffin in the woods, so that the Winkies and woodland Animals can pay their respects and gaze upon his beautiful face.” … “Except we beat his face up.” “Yeah we beat his face up.”
I’m suffering the thought equivalent of zoomies I’m so so sorry
Loolll Firstly I got a good chuckle out of Torture part 2: For Bad, so thank you for that!
Honestly I've always thought option D - that they did see his transformation for several reasons:
They're supposed to torture Fiyero "until he tells us where the witch went" and (despite the fact that they do know where Elphaba is by March of the Witch Hunters - I think she's beyond being subtle at that point, and she does have good defences) I just can't believe Fiyero would ever tell them, he'd die first. So I do not think they are done with the torturing when he's transformed.
You have to remember that these are Fiyero's men. Guards who have worked under Fiyero, probably considered him a friend, and all along he has been betraying them and working for the Witch. They are probably not the most pleasant people in the first place and they are angry. I don't think any of them are giving up for a coffee break until he's done what they want and is dead
I actually think she casts the spell pretty fast? Like wishing for his flesh not to be torn and to not be feeling pain when he's beaten, is going to be pretty redundant more than 10 minutes after Fiyero has been captured (like it's obviously long enough for there to be some possibility for him to be "already dead or bleeding" but there's also a chance of his survival)? I imagine she got to the nearest safe place and cast. And Elphaba doesn't even cast the spell for that long before giving up and falling into despair so yeah, I imagine the men see it
They would want the body. There's a lot of power displaying tortured Fiyero to Oz whether it be "look what the Witch did to our beloved Prince" or "look what happens to traitors" it sends a message to the Ozians. I can't imagine them going without it if they can help it (and the fact they do come back empty handed and presumably lie about what happened to Morrible, can't have impressed her much)
Why doesn't the scarecrow get caught later then? I imagine the guards still don't necessarily know he's turned into a scarecrow - I imagine they ran away the moment the freaky magic started happening (and again, lied about the success of their murder when questioned by their superiors). There's also a non zero chance that, when they were taking a stiff drink after it all, Elphaba all "no good deed will i do again" returned to the field, found no Fiyero and the guards drinking (she presumes in celebration) and just burnt them all to death.
Thanks for the question! It was fun to specuate!
The love triangle in Wicked isn’t Fiyero choosing Elphaba or Glinda. It’s ELPHABA choosing Fiyero or Glinda
Elphaba’s decision to be selfish instead of selfless and going with Fiyero is a direct callback to Glinda’s selfish decision in Defying Gravity
Glinda chose to stay behind and get everything she’s wanted, putting herself over her friend
And then Elphaba does the same, choosing to be with Fiyero, putting herself over her friend.
So I've wanted to do an analysis of this scene from the moment I saw it. It's such a great addition to canon and gives such a fascinating insight into both of their personalities and the facades they put on to others. It also gives hints of the fact that both of them are pretty good at breaking down each other's walls.
From the top:
“Woah, Woah there, woah.”
“I did not see her.”
“Yeah, neither did I.”
“You might want to, um”
“Ok.”
“You know,”
“Yeah. I’m so sorry miss, I didn’t see you there, you must have...”
The first impression we get of Fiyero is that he’s kind. Obviously careless enough to hit a girl in the dark, but he immediately slows down and, even before Feldspar has told him to apologise, he’s got down and is about to make his way over.
It’s also important to note we that seeing him talk to a Horse as a friend, when just the scene prior we have seen that a large amount of the population don’t want Animals to talk at all. In fact, this is the only other human we see friends with an Animal in the entire movie, and it sets up immediately the fact that he will agree with Elphaba on her cause.
“...blended with the foliage.”
Here is his first reaction to Elphaba’s greenness. It is the rudest thing that Fiyero says to her all scene, and something that immediately puts Elphaba on the defensive, having heard shit like this all her life, but it’s also very on par with Fiyero and his constant habit of saying dumb shit whenever Elphaba is around (“yeah, or maybe it scratched me or something,” and “well, actually it was, but it wasn’t” come to mind), he’s surprised and he reacts with humour (something we see he does a lot).
It’s interesting to contrast this to his musical comment, “Well maybe the driver saw green and thought it meant go,” which is a lot more pointed and insulting, blaming the situation on her (though to be fair she does wake him up and attack him for what his carriage driver did), Fiyero in the movie reacts dumbly but not maliciously.
“Is this how you go through life? Just running amuck and trampling anyone in your path?”
Elphaba is immediately on the defensive. She’s already stressed about Doctor Dillamond, pissed off about being knocked over and now, as usual, she has met a new person who is insulting her skin tone. So she does what she does best, she puts her walls up and hides behind them.
“No.”
*Feldspar laughs*
Fiyero is shocked by this attack. He’s naturally charming, to the point where he relies on his charm to get him out of situations. So the fact it doesn’t work stuns him a little. This is why Feldspar laughs, because he knows Fiyero and how he normally acts, and it is funny to see him not immediately manage the situation.
“No, sometimes I’m asleep.” *looks at her flirtily*
Fiyero recovers, his walls are back up. He’s over the shock of seeing someone green and how she’s reacted to him, so he goes back to charm by flirting with her. Notice how he is using self derogatory humour, it’s easy charm that he knows how to use – he’s trying to ease the situation by insulting himself and making her laugh. It’s also another way of cultivating his image, Fiyero very deliberately portrays himself as stupid, flirty and lazy (he sings an entire song about it!) and here he is playing it up.
Also, I’m pretty sure this is a reference to their meeting in the musical (where he is actually asleep), which is cute.
*Awkward pause*, “Yeah, alright, alright, here we go. No, I’m not seasick.”
Elphaba, who is not at all used to people flirting with her, but is used to people asking questions and insulting her skin tone – has picked up none of the playful implications and only that he is stupid and lazy, and therefore starts the rant that she’s said 100 times before.
“Neither am I.”
“No. I did not eat grass as a child.”
“Oh you didn’t? I did!”
But Fiyero starts replying! Again, it’s all charm and self derogatory humour, but he’s sensed the unease, he did not come to insult or attack her, and he’s trying to lighten the situation with his usual techniques he uses on everyone – but they are not working.
“And yes, I have always been green.”
“And the defensiveness? Is that a recent development?”
And here we see Fiyero let down his shield a little, and let on that he’s less dumb than he’s acting. Fiyero is remarkably good at understanding people, it’s how he manages to maintain his facade in the first place – and it’s how he ends up being an effective double agent through most of act 2. Fiyero immediately realises that Elphaba is putting on an act too, that she’s not just attacking him because she’s annoyed at him but that there’s something more going on there.
I love it. I love it so much. It’s such a good addition to the musical canon, because all the traits for Fiyero to be like this are already there, and it adds an extra bit of depth to our understanding of why he’s fascinated with Elphaba – because he knows that she’s another person hiding her true self from the world. It’s such a good link to the Lion Cub scene later where Elphaba pretty much calls him out on the same thing.
*Elphaba stares*
*Fiyero tries a smoulder*
“Hm.”
There is a second here where Elphaba realises that she’s been called out. That she’s attacked him when he wasn’t being malicious and it does cause her to retreat slightly.
Fiyero, now in safer territory, puts his walls back up and goes back to flirting. Elphaba, again not used to this at all, doesn’t really understand this and is still in a bad mood about the Animals, so breaks the moment.
*Feldspar laughs, Fiyero tries to shh him but laughs too.*
*Elphaba notices and stalks off.*
So this is interesting. From context clues, what Feldspar is laughing at earlier and Fiyero’s comment later, it appears he’s laughing at Fiyero, that his easy charm hasn’t worked and he’s found himself on the back foot. Fiyero, bewildered, but still playing up his persona, laughs too. Elphaba sees this and, obviously, immediately takes this as them laughing at her greenness, and therefore any goodwill from what he’s said is gone, and she stalks off.
“I’m off for some more trampling, may we offer you a ride?”
Fiyero, bless him, tries again. He’s seen he’s offended her, though probably hasn’t quite connected exactly why, and tries to make right. So he goes in with more self derogatory humour as well as a genuinely kind offer – it probably isn’t safe for her to walk back in the dark – but the moment has been lost.
“No thanks. Get stuffed.”
Elphaba’s walls are back up again. She might regret the “stuffed” comment by the end of act 2 though...
“Wow, Feldspar, we have just been spurned by a girl.”
“Indeed.”
“Guess there’s a first time for everything.”
Fiyero ends the scene baffled, unsettled, but interested. He plays it off as if he’s normal and also reassembles his walls and defensiveness, again playing into the lazy playboy persona he puts on, ready for his next scene with Galinda.
Analysis of Fiyeraba interactions in the Dancing Through Life/Ozdust Scene
Analysis of Fiyeraba interactions in the Lion Cub Scene in the movie
An In Depth Study of Elphaba and Fiyero in the Train Station Scene
when i say back on my Wicked bullshit i mean back on my Wicked bullshit