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Veronica Whall’s depiction of Galahad ascending, from King Arthur’s Great Halls at Tintagel
I had a realization the other day:
Gawain was supposed to be the narrator of the Grail Quest.
Before Vulgate cycle and Sir Bors, the only other participant of the Grail Quest was Gawain. Gawain was used as a foil for Percival's story - a counterpart for Percival's character arc.
When reading Chretien's (unfinished) Grail story, it was always funny how Gawain takes up a significant chunk of the tale, but looking back at every version of the Grail cycle, there's this general trend that Percival was never going to return to Camelot to report the entire adventure to Arthur.
Percival's story is meant to end with him staying in the Grail Kingdom. So, someone else had to tell the story so it could be "passed down" and preserved as "history".
And that someone, had to be Gawain, the then-premier hero of the romances and Chretien's favorite.
Gawain isn't just the deuteragonist in Percival's story, he's also the one lives to tell the tale of Sir Percival.
Of Course, Robert de Boron comes along, and suddenly, the Grail Quest is everyone's adventure, but that's a different story...
💚😏🗡️ <for arthuriana ask game =)
Favorite quest/story arc:
That’s a tough one. Basic as it is, one of my favorites would have to be the Grail quest. It’s been told in so many different ways, it has so much potential for interpretation and reinterpretation, and if you look around, its influence is everywhere in pop culture. I also really like Galahad, Percival, and the Grail Heroine (though reading T. H. White left me with an anti-Bors bias I’ve never been able to shake).
Gawain:
The way I got into Arthuriana was a seventh-grade GVC assignment where I had to write an alliterative paragraph, drew “G” out of a hat, started writing about Gawain, never got to a stopping point, decided to write a novel, decided I had to do research for the novel…you get the idea. He isn’t my all-time favorite, but I like Gawain. I find his revenge quest interesting when it’s done well, but I think that it’s become too ubiquitous. There are so many stories about him and there’s so much more to him than the man in The Once and Future King whose main traits are “angry” and “Scottish” (though I do love it when he calls Galahad “yon lily laddie”).
Who Are You Betting On In This Month's Tournament?
I think it depends on which canon it is and who’s in town. If I could choose from every Arthurian character I know of, I would say the Knight of the Lantern, hands down. At the start of The Story of the Crop-Eared Dog, he defeats and ties up everyone on Arthur’s hunting trip who he thinks is worth fighting—which adds up to well over seven thousand knights—in one afternoon. Later on, he’s defeated by his older brother Alastrann (who’s in monster-dog form), but when their father dies, Alastrann becomes the King of India, and he can’t very well casually jaunt over to the far end of another continent when he has a country to run. The Knight of the Lantern also returns to India, but he has unparalleled magical powers and less responsibility, so he could probably swing by for a tournament.
Thanks for the ask!
I hadn’t noticed that, but I think that you’re right and that that was the artist’s way of reminding us it’s made of Percival’s sister’s hair. Neat. Or not neat. There’s a lot to be said of hair belts as a fashion choice and most of it is negative, but you can’t say it’s not bold.
The Grail Heroine leading Galahad to the ship, where Percival and Bors wait
Stained glass by Veronica Whall for King Arthur’s Great Halls at Tintagel
The Grail Heroine leading Galahad to the ship, where Percival and Bors wait
Stained glass by Veronica Whall for King Arthur’s Great Halls at Tintagel
Bors is supposedly the person who comes back and tells the story of the successful Grail questing party, so all that’s known of it is what he’s willing to say, and he makes at least one omission: the name of the Grail Heroine, Percival’s sister. After she sacrifices herself for the group, Galahad, Percival, and Bors feel immense guilt. In particular, Percival and Galahad realize that as maiden knights, they too could have given blood, and if all three chipped in, they would have had enough blood to cure the lady without anyone dying. They all miss her terribly and decide never to say her name because it’s too painful a reminder.
Since Bors won’t say her name, she previously lived in a cloister (where she might have used another name), and her parents and siblings are already dead or will die young, her name ends up being forgotten.