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Told yall I’ve been working on Sam stuff for a good second. Unsure of when I’ll finish the full piece. So have this for now!
Okay so kinda wanted to start of small face reveal kinda thing ig before I actually post like ootds and stuff lol
Rural Boys Watch the Apocalypse by Keaton St James, Midnight Mass, Come, And Be My Baby by Maya Angelou, Rogue One, Hypersonic Missiles by Sam Fender, Midnight Mass, S/C/A/R/E/C/R/O/W by My Chemical Romance, Don’t Look Up.
hey i did a collab with @rainbowblue13!!! mari did the sketch/line and i did the coloring! its inspired by the writing/concepts of one @pepsi-pete where squip says FUCK YOU and honestly iconic
we love everything about squips ✊😔
billford animatic i made to the song 'confrontation'! ^^
Heirloom and Honor:
In which we feel the weight of our history and bear the burdens of our responsibilities.
This took… way too long… here’s the background only version w all the little Easter eggs and such.
Some progress images! From layout to finish.
This is my most ambitious piece to date…maybe my last fanart for a while haha 😞😞
Some lore thoughts going into this illustration — feel free to ignore:
I was thinking this takes place in S2 in the Zianna Ro’Meave rescue arc, where Garroth returns to O’Khasis after many years to rescue his mother…He comes across their oldest (historically, the first in Ru’aun) cathedral and finds it in a wrecked and pillaged state.
The pious folk have pretty much abandoned the cathedral following Zane’s disappearance for 15 years and the Tu’la invasion was the nail on the coffin. The cathedral is completely barren of life except for the few intact stained glass windows that recount the history of the Divine Warriors.
Around this time it’s revealed that Garroth is the current holder of Esmund’s relic— is he anxious? Lost? Jumpstarting his quarter-life existential crisis?
I hope that everything here in this illustration captures my vision and conveys it to you. This is pretty much a love letter MCD HAHAHAHA
OMG THIS IS AMAZING
dark and stormy knight