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1 week ago
Old And Recent Photos Of UWI Cave Hill Campus, Barbados
Old And Recent Photos Of UWI Cave Hill Campus, Barbados
Old And Recent Photos Of UWI Cave Hill Campus, Barbados
Old And Recent Photos Of UWI Cave Hill Campus, Barbados
Old And Recent Photos Of UWI Cave Hill Campus, Barbados
Old And Recent Photos Of UWI Cave Hill Campus, Barbados

Old and recent photos of UWI Cave Hill Campus, Barbados

The administration building was designed in the shape of an Akan stool, a West African symbol of cultural identity and ancestral wisdom. It was commissioned by Sir Hilary Beckles to reflect a collective will to reconnect with African heritage and envision future bonds rooted in that legacy.


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1 week ago
In The 1970s, Excavations At The Newton Slave Burial Ground Uncovered The Grave Of A Man Believed To

In the 1970s, excavations at the Newton Slave Burial Ground uncovered the grave of a man believed to be a healer or spiritual figure. He was buried with powerful objects: metal jewelry, an iron knife, and a short-stemmed clay pipe likely made in Ghana.

Among his burial items was a necklace made from a mix of beads, some with fascinating origins.

One glass bead, made with European powder glass, was probably crafted in Ghana.

Another, a cylindrical carnelian bead, came from Cambay, India ; a region known for carnelian bead production since the first millennium. These beads were traded through East Africa, across the Sahara, and into West Africa.

Other elements of the necklace could have been acquired in Barbados, but together they reflect a deep continuity of African cultural traditions in the Caribbean.

Scholar Jerome Handler used ethnographic sources from West Africa to interpret the necklace, and strongly argued that the man was likely seen as an obeah or healer by the enslaved community at Newton.

This burial is one of the most powerful archaeological cases for the survival of African spiritual identity through the horrors of the Middle Passage and slavery.


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2 weeks ago
Barbados Heritage District, Honoring Memory, Land And Spirit. Designed By World-renowned Architect Sir

Barbados Heritage District, honoring memory, land and spirit. Designed by world-renowned architect Sir David Adjaye. It will be built next to Newton Slave Burial Ground, the oldest and largest slave cemetery ever found in Barbados. The site will include a memorial, a museum, a global research center, and spaces for performances and reflection.It’s part of a national project called ROAD (Reclaiming Our Atlantic Destiny), which aims to reshape Barbados’identity and economy by making it a central place for learning about Atlantic slavery, from the Caribbean, not just from the West. Barbados actually holds the second largest collection of slave records after the UK. One key part of the project is to digitize these archives and give access to researchers, families, and future generations. But not everything has gone smoothly. Some activists, spiritual leaders, and museum workers protested the construction, saying it disrespected the sacred nature of the burial ground.Now, discussions are ongoing to create cultural and spiritual guidelines.There’s also talk of founding a spiritual university, in collaboration with Codrington College, to show how different faiths and traditions can live together. The Newton Burial Ground itself is powerful: about 1,000 enslaved people were buried there, between 1660 and 1820.They were laid to rest by their families and communities, often with rituals inspired by African traditions.It’s the only untouched slave cemetery ever excavated in the Caribbean.The artefacts and human remains found here tell us stories we couldn’t get from written documents alone. This project has the potential to transform how we understand slavery, heritage and identity. It also reminds us that healing history must include respect, spirit and the voices of the people.


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1 month ago
My Photos : Barbados, 2022
My Photos : Barbados, 2022

My photos : Barbados, 2022

I created this blog to share resources about my research work and connect with others who are interested in the theme of African material culture in Caribbean. In a few days, I'll be heading to Barbados for a research mission. It's the most exciting part of the journey : being fully immersed in the field. I can't wait to share photos and moments with locals, researchers, and artists ! I also really want to share a few moments at the Rasta Temple, where an old Ras once taught me how to sculpt. I'm so looking forward to showing you all of this ! With Love.


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1 month ago
Caribbean Vernacular Architecture, Fretwork Rooted In Local Or African History And Symbolism.

Caribbean Vernacular Architecture, fretwork rooted in local or African history and symbolism.

See "Creole and vernacular architecture: embryonic syncretism in Caribbean cultural landscape", Patricia Elaine Green


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3 months ago
Figure Animalière Sur Une Production Culturelle Du Groupe Aluku, En Guyane. Le Serpent Est Animal Privilégié

Figure animalière sur une production culturelle du groupe Aluku, en Guyane. Le serpent est animal privilégié dans la cosmogonie des peuples Marons et Amérindiens de Guyane. Le serpent se retrouve régulièrement dans les productions artisanales et artistiques. Chez les Aluku, il est à la fois le symbole du féminin et du masculin. Plus largement dans les traditions afro-diasporique, comme dans le sèvi Ginen (vodoun ayitien), il peut être associé a des esprits ou des divinités. On retrouve aussi le symbole du serpent sur des productions matérielles du peuple Akan (Ghana).


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4 months ago
Arme D'apparat. Elle A été Réalisée à La Rochelle Pour Andris Poucouta, Macaye (premier Ministre)

Arme d'apparat. Elle a été réalisée à La Rochelle pour Andris Poucouta, macaye (premier ministre) et mafouque (ministre des relations commerciales) à Cabinda.


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4 months ago
Oduduwa Hall Of Obafemi Awolowo University, Ile -ife, Nigeria.
Oduduwa Hall Of Obafemi Awolowo University, Ile -ife, Nigeria.

Oduduwa Hall of Obafemi Awolowo University, ile -ife, Nigeria.


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4 months ago
Unidentified Edo Artist, Carved Tusk, Benin Kingdom, Late-nineteenth Century, Ivory, 93 Cm X 7 Cm At

Unidentified Edo artist, carved tusk, Benin kingdom, late-nineteenth century, ivory, 93 cm x 7 cm at baseRoyal Ontario Museum


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5 months ago
I Was So Happy When I Found This Review At An Antique Store In Batlimore. It Was Like The Connection

I was so happy when I found this review at an antique store in Batlimore. It was like the connection has to be made.


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5 months ago
Material And Visual Heritage Of Manman Dlo, Lasiren, Yemọja And Ọṣun.

Material and visual heritage of Manman dlo, Lasiren, Yemọja and Ọṣun.


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5 months ago
Coeur Tambour, Scholastique Mukasonga

Coeur tambour, Scholastique Mukasonga

The cover image of this book is beautiful. This luminous woman holds a bowl, bearing the colors of the moon that gives its beauty to the early morning sun, thus revealing the splendor of sacred objects. When the drum beats, the story of Africa beats. It is first the story of Queen Kitami then that of Prisca, a little girl from a village in Rwanda, whose myth resonates in the Caribbean and America. This book seems magical to me, and I’m just looking forward to reading it, it fits perfectly into my research themes.


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5 months ago

Welcome to my blog, Today I have had a strong desire to create a space where I can share my passion for Afro-diasporic cultural history, its critical reflection and cultural theories. I would also like to share my passion for art that is inspired by this world. I hope to build a community with which to exchange, discuss and learn.


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